By Henry Miller, Anaïs Nin
The intimacy among Nin and Miller, first disclosed in Henry and June, is documented additional during this impassioned alternate of letters among the 2 arguable writers. Edited and with an creation via Gunther Stuhlmann; Index.
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Additional info for A Literate Passion: Letters of Anaïs Nin & Henry Miller, 1932-1953
How you get a scene in verité is very important—the Maysles were very interested in getting scenes, not just doing interviews. We don’t want to be doing interviews, although interviews are unavoidable in a lot of our films. Like Grey Gardens; you would never call it an interview film, but if you look at it carefully, Little Edie is always turning to the camera and doing a monologue. And in LaLee’s Kin it’s the same way. When I found LaLee she reminded me a lot of Edie Beale because she had a way of just turning to the camera and just telling this very witty story or a very edgy story.
So right there is tension; right there, there’s the narrative. That 26 DOCUMENTARY FILMMAKERS SPEAK was the only thread of a narrative I could find after looking at many impoverished areas around the nation. We were looking for a film . . that was not just going to be following welfare stories. And then I looked to find a character whose life—her life and her children’s lives—would interact with the school district, and that’s how we found LaLee. Still, when you’re filming poverty, there’s not a lot that’s happening.
Did you or do you still have any anxieties about the process of filmmaking? Well, what happens with me is once I get going on it, as soon as something happens, then it’s just out of this world—a scene that is so telling that it propels me through the rest of it. I think it was a year ago; we had a screening of the Beatles film at the Film Forum here in New York. Because I had to introduce it and give a talk afterward, I sat through the film. I hadn’t seen it in a long time and I noticed that I was moving around in my chair as though I was operating the camera all over again and I was zooming and switching shots.